Sometimes art comes from tough choices. Take Brian Rose’s documentary, “When I Last Saw Jesse.” The film, which won best Heartland Feature Documentary at this spring’s Kansas City FilmFest International,
Sometimes art comes from tough choices. Take Brian Rose’s documentary, “When I Last Saw Jesse.” The film, which won best Heartland Feature Documentary at this spring’s Kansas City FilmFest International, is a haunting look at the 2006 disappearance of UMKC student Jesse Ross.
As part of the Year of German-American Friendship, Goethe Pop Up Kansas City has been bringing German cinema to the Crossroads with their Pop Up Film Haus events – screenings of both contemporary and historically relevant films shown in German with English subtitles. Now, in partnership with local cinema Stray Cat Film Center, they’ve put […]
If you’re from rural America it can be easy to lose yourself in the city. But when rural Kansas-raised filmmaker Emily Railsback came to Kansas City, she found something. Earlier this year, Railsback released “Our Blood is Wine,” a documentary about ancient wine-making in the former Soviet republic of Georgia.
Kansas City was on the radar when the producers of “Sharp Objects” looked for a place to film. The HBO miniseries is set in Missouri and is based on a novel by Gillian Flynn, best-selling author of “Gone Girl,” who is from Kansas City. “They were going to fly in and scout,” recalled Steph Scupham, […]
Cinematic adventure, intrigue, tragedy, romance — and a bit of classic Brando to boot. You won’t find it streaming on Netflix or Hulu, at least not with the kind of expertly curated context and additional live commentary available for free at a variety of winter film series and screenings scheduled at area museums and cultural institutions.
In recent years a recurring image has appeared in the news: police officers in riot gear confronting Black protesters in urban neighborhoods. In most cases, the officers are white — which only adds to the tension. But often, Black officers are also part of the conflict. Do they see themselves as cops first, Black second? […]