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‘Disgraced’ is Smart, Tense and Explosive

Race, religion and money drive the action in Ayad Akhtar’s “Disgraced,” a unique entry in the dinner-party-goes-south genre that descends from Edward Albee’s “Who’s Afraid of Virginia Woolf.” Kansas City audiences have seen Akhtar’s work in “The Who & The What,” an affecting drama about a Pakistani-American family in Atlanta, and “The Invisible Hand,” a […]

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