In “Unapologetic,” Hyeyoung Shin suspends nine, life-size, nude self-portraits, drawn with graphite on 16-foot-long Mylar sheets, from a 25-foot ceiling. Clustered in one corner of..
“David Ford: Bare Edge,” Bunker Center for the Arts
David Ford’s abrasive style is on full display in his exhibit, “Bare Edge,” at the Bunker Center for the Arts. Containing paintings and assemblages made..
When Warren Rosser settled into his enviable Crossroads studio he made sure to get the lighting just right. For a seasoned painter exploring color relationships..
Debates about immigration and citizenship turned into ugly political football in the last election cycle. The truth of the matter, as seen in the exhibition..
“Dawit L. Petros: The Stranger’s Notebook,” H&R Block Artspace at the Kansas City Art Institute
Dawit L. Petros’ “The Stranger’s Notebook” is the first of a trilogy of works in which the Eritrean artist investigates “migration as a key constituent..
“Paolo Porelli: Humankind: The Sublime and The Ridiculous,” Belger Arts Center
“Humankind: The Sublime and The Ridiculous” establishes Italian artist Paolo Porelli as a grand interpreter of the human condition. His aptly titled exhibit at the..
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