“London Williams & Izsys Archer: In Truth, Black Angels,” Haw Contemporary
The riveting installation “London Williams & Izsys Archer: In Truth, Black Angels” at Haw Contemporary in the West Bottoms is angelic by virtue of its emotional accessibility and vulnerability.
The Kansas City Society for Contemporary Photography’s annual “Current Works” exhibition is now on view on the lower level of the Leedy-Voulkos Art Center.
Kansas City painter Jason Needham offers up a new body of pandemic-era work in the Leedy-Voulkos Art Center’s newly minted exhibition space called Habitat Contemporary Gallery, run by Robert Gann, formerly of Studios Inc.
KCI Public Art Selection Process Takes Another Step Forward with Naming of Diverse Panel
With an eye toward diversity and inclusion, the first public art selection panel for the Kansas City International Airport single terminal project has been chosen by the Municipal Art Commission.
Nelson-Atkins Lays Off 36 Employees Prompting Pushback
The Nelson-Atkins Museum of Art’s recent decision to lay off 36 employees, including photography curator Jane L. Aspinwall, ignited a controversy that has inflamed the Kansas City art world.
Julie Blackmon’s photographs, typically replete with the antics of a motley crew of kids, take place in familiar-looking living rooms, back yards, and neighborhood play areas.
“Joiri Minaya: Divergences,” Kemper Museum of Contemporary Art
“Joiri Minaya: Divergences,” Kemper Museum’s fifth commissioned installation in the Atrium Projects series, extends far beyond the wall upon which it resides. Organized by Assistant..
William Keyse Rudolph joined The Nelson-Atkins Museum of Art as deputy director of curatorial affairs in March 2020, following seven years at the San Antonio Museum of Art.
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