The Liability of Love: ‘Sunset Baby’ at Melting Pot
Playwright Dominique Morriseau’s “Sunset Baby” achieved high visibility with productions in New York, Chicago and Los Angeles. Now the extended one-act about a former black..
Everyone gets indigestion after a massive Thanksgiving dinner, but for theater critics the discomfort may be particularly acute. They know that soon they will sit..
Immersive, multi-media installations respond to the light, planes, and architectural design of the Epsten Gallery space in the exhibit “Built Environments,” curated by the gallery’s..
Let’s give credit where credit is due: Karen Paisley, co-founder and artistic director of the Metropolitan Ensemble Theatre, long ago embraced audacity as an aesthetic..
“Soviet Realities” at the Telephonebooth Gallery features American and Russian artworks involved in anti-authoritarian politics and critiques of the Russian government.
“Pattern Languages,” Greenlease Gallery at Rockhurst University
Art lovers seeking to understand the interests of some of Kansas City’s leading artists would do well to spend time viewing the “Pattern Languages” exhibition..
“Diversity in Contemporary America,” Kansas City Kansas Community College Art Gallery
Restrictive, confining cultural expectations for physical appearance, along with subtle and not-so-subtle demands for conformity, are themes reflected in the work by two artists currently..
Race, religion and money drive the action in Ayad Akhtar’s “Disgraced,” a unique entry in the dinner-party-goes-south genre that descends from Edward Albee’s “Who’s Afraid..
MeltingPot’s ‘2121’ Delivers Laughs and Relevant Drama
Playwright/director Harvey Williams blends raucous humor and resonant drama in his “2121,” a two-act play that emerges as a heartfelt tribute to a forgotten class..
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