“David Ford: Bare Edge,” Bunker Center for the Arts
David Ford’s abrasive style is on full display in his exhibit, “Bare Edge,” at the Bunker Center for the Arts. Containing paintings and assemblages made..
KC MeltingPot Tackles “Dutchman,” An Angry, Sadly Relevant ’60s Response to Racism
So the KC MeltingPot Theatre production of LeRoi Jones’s “Dutchman” is a slap-in-the-face change of pace that is most welcome. Jones, who later changed his..
When Warren Rosser settled into his enviable Crossroads studio he made sure to get the lighting just right. For a seasoned painter exploring color relationships..
Good Performances Buoy Unique Drama About Science, Love and History
Part science lesson, part love story and part philosophical rumination on the meaning of life, Anna Ziegler’s “Photograph 51” is a memorable account of one..
Debates about immigration and citizenship turned into ugly political football in the last election cycle. The truth of the matter, as seen in the exhibition..
“Dawit L. Petros: The Stranger’s Notebook,” H&R Block Artspace at the Kansas City Art Institute
Dawit L. Petros’ “The Stranger’s Notebook” is the first of a trilogy of works in which the Eritrean artist investigates “migration as a key constituent..
A Caustic Meditation on Race and Theater at the Unicorn
Could it be more timely? A radical satire about America’s history of slavery and enduring black and white stereotypes at the Unicorn Theatre captures the..
Begin typing your search above and press return to search. Press Esc to cancel.