The riveting installation “London Williams & Izsys Archer: In Truth, Black Angels” at Haw Contemporary in the West Bottoms is angelic by virtue of its emotional accessibility and vulnerability.

The Kansas City Society for Contemporary Photography’s annual “Current Works” exhibition is now on view on the lower level of the Leedy-Voulkos Art Center.

Julie Blackmon’s photographs, typically replete with the antics of a motley crew of kids, take place in familiar-looking living rooms, back yards, and neighborhood play areas.

“Joiri Minaya: Divergences,” Kemper Museum’s fifth commissioned installation in the Atrium Projects series, extends far beyond the wall upon which it resides. Organized by Assistant..

“Dr. King’s policy was that nonviolence would achieve the gains for black people in the United States. His major assumption was that if you are..

Ryan Wilks' “Heaven” is a brooding meditation on Christianity’s obsession with the human body and a lamentation of institutionalized religion’s frequent marginalization of the LGBTQ community.

I’m not real, I’m just like you. You don’t exist in this society. If you did your people wouldn’t be seeking equal rights. You’re not..

Gerry Trilling has provided us all with a new visual repertoire to replace those outdated crochet images in “Memory Ponds,” her new exhibition of approximately 160 works, each titled with a number, at the Albrecht-Kemper Museum of Art.