“Dawit L. Petros: The Stranger’s Notebook,” H&R Block Artspace at the Kansas City Art Institute
Dawit L. Petros’ “The Stranger’s Notebook” is the first of a trilogy of works in which the Eritrean artist investigates “migration as a key constituent..
A Caustic Meditation on Race and Theater at the Unicorn
Could it be more timely? A radical satire about America’s history of slavery and enduring black and white stereotypes at the Unicorn Theatre captures the..
“Paolo Porelli: Humankind: The Sublime and The Ridiculous,” Belger Arts Center
“Humankind: The Sublime and The Ridiculous” establishes Italian artist Paolo Porelli as a grand interpreter of the human condition. His aptly titled exhibit at the..
Spinning Tree’s “Nine,” an American Musical Born of Italian Cinema, Showcases Talent and Hard Work
“Nine,” the 1982 Broadway musical nominally based on Federico Fellini’s surrealistic satire, “8 1/2,” is enjoyable to the extent that you can relate to the..
Ayad Akhtar’s The Invisible Hand is a brainy thriller balanced precariously between a melodrama and an international finance seminar. It’s fascinating, unique and even educational..
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